FORMAL TRAINING:
Bachelor’s Degree in Speech (Theatre/Acting), Northwestern University

BULL IN A CHINA SHOP by Bryna Turner, directed by Susan G. Reid (Out Front Theatre, 2020)

SAFETY NET by Daryl Lisa Fazio, directed by Karen Robinson (Theatrical Outfit, 2019)—photos Casey Gardner

MERCY ME by Daryl Lisa Fazio, directed by Rachel Parish (Actor’s Express Threshold Festival, held at the Atlanta Contemporary, 2019)
This was the first workshop and public reading of my play for one actor. I took a crack at it the first time around with nowhere to hide.

BOY by Anna Ziegler, directed by Melissa Foulger (Theatrical Outfit, 2017)—photos by David Woolf

BEULAH CREEK by Neeley Gossett, directed by Nichole Palmietto (Found Stages, 2014)

Escaping from the tent meeting.

The country girl meets the WPA photographer.

Ruth shows Iris her favorite place.

A friendly baptism.

Getting fancy, including penciled-in hosiery lines.

The audience stood and sat on blankets as we moved from location to location.

MYSTERIOUS CONNECTIONS by Peter Hardy, directed by Ellen McQueen (Essential Theatre Festival, 2013)

Connecting mysteriously…

Posing for a leering photographer…

Trying to shake a friend from a bad dream…

IN THE NEXT ROOM, or the vibrator play by Sarah Ruhl, directed by Rachel May (Synchronicity Theatre, 2011)

Annie gives Mrs. Daldry a hand.

A little piano music.

Left in the lurch.

BODY AWARENESS by Annie Baker, directed by Justin Anderson (Pinch ‘N’ Ouch Theatre, 2011)

Phyllis nervously gives her first talk of the Body Awareness conference.

An interloper “entertains” the family at dinner.

More audience interaction, more things falling apart.

Academic displeasure with the stepson.

Phyllis finally lets go.

The strange little family comes back together.